The Symbolism and Survivability of Royal Identity (RI) for the Upper Section of the Taoist Temple Built in the 19th Century in the Klang Valley, Malaysia

Authors

  • Yin Mei Yeong Raffles College of Higher Education, 55000 Kuala Lumpur, Malaysia
  • Khairul Aidil Azlin Abd Rahman Department of Industrial Design, Faculty of Design and Architecture, Universiti Putra Malaysia, 43400 UPM Serdang, Selangor, Malaysia
  • Nor Atiah Ismail Department of Landscape Architecture, Faculty of Design and Architecture, Universiti Putra Malaysia, 43400 UPM Serdang, Selangor, Malaysia
  • Nangkula Utaberta School of Architecture and Built Environment, UCSI University,56000 Federal Territory of Kuala Lumpur, Malaysia

DOI:

https://doi.org/10.22452/jdbe.vol23no3.5

Keywords:

Chinese community, Chinese diaspora, Indigenous Sino-Malay architecture, Ornamentations, Religious buildings

Abstract

Taoist temples are considered a nation-specific religious and exceptional cultural landmark regionally. The design principle of the lower, middle, and upper sections of the physical building profoundly symbolised royal identity (RI). Scholars discovered that despite Chinese lineage positively recognising the importance of this symbolism, they were clueless about it, notably the configuration of the upper section. The objective of this paper is primarily to identify the design symbolism of the Taoist temple and assess the survivability of the RI for the upper section: 1) roof form; 2) ornamentation and 3) roof colour. Qualitative research was administered by conducting an observational study amongst the ten selected Taoist temples constructed in the 19th century in the Klang Valley. The results revealed that most of the design symbolisms inherited from the Southern region of Mainland China and RI were lessened. Interestingly, the samples synthesised the orthodox RI with indigenous local Malay vernacular architecture, the ventilated roof. The finding not only potentially intensifies the Chinese community by providing insightful knowledge, but it also eases the practical-knowledge gap amongst design practitioners and revitalises the tourism industry in the culture, arts, and heritage domains.

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Published

2023-12-26

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Articles