XENOPHOBIA IN SHAKESPEARE’S THE MERCHANT OF VENICE

Authors

  • Farideh Alizadeh Cultural Centre, University of Malaya (UM), Jalan Universiti, 50603, Kuala Lumpur, Malaysia
  • Mohd Nasir Hashim Cultural Centre, University of Malaya (UM), Jalan Universiti, 50603, Kuala Lumpur, Malaysia
  • Rahmat Amini Drama Department, School of Performing Arts & Music, University of Tehran (UT), Iran
  • Fatemh Mohtadi Faculty of Arts & Architecture Islamic Azad University Central Tehran Branch (IAU), Tehran, Iran.

Keywords:

Integrated threat theory (ITT), In-group, Out-group, Xenophobia, The Merchant of Venice, Shakespeare

Abstract

The word xenophobia is a social phenomenon that is rooted in fear and dislike of strangers from other countries. Since art is a reflection of life, this social behaviour has been echoed in dramatic literature. Shakespeare’s plays as a beacon of classic drama, are samples of this reflection. The Merchant of Venice, Othello, The Tempest, Titus Andronicus, Antony and Cleopatra are classical examples of xenophobic reactions within societies toward aliens that are still very tangible. The Merchant of Venice is the most prominent work in terms of presenting foreign characters, different religions and groups. Therefore, this article attempts to identify xenophobia in behaviours of characters in The Merchant of Venice, so as to prove that the bases of xenophobia have not changed from the time of Shakespeare, and it has same roots. Social theories such as in-group, out-group and integrated threat theory ITT alongside analysis of the dialogues and events in The Merchant of Venice specify that elements like economy or Judaism can create conflicts and manifest as xenophobia in the play. 

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Published

2018-06-30

How to Cite

Alizadeh, F., Hashim, M. N., Amini, R., & Mohtadi, F. (2018). XENOPHOBIA IN SHAKESPEARE’S THE MERCHANT OF VENICE. SARJANA, 33(1), 11–21. Retrieved from https://ejournal.um.edu.my/index.php/SARJANA/article/view/14585

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Section

Articles